After two years in prison by a affair with drugs, Jack Mayfield come backs to his tome together his brother Mike, his wife Alma and his little son Raymond. Looking for a second chance, Jack accepts a work offered by Mike, preacher of the town, as night watchman in the old abandoned mine of the town to prevent that the thieves steal industrial materials that still are there to shell them in the black market. Meanwhile Alma realizes about the secret desires of his brother-in-law to her, Jack struggles to leave behind his past of alcohol and drugs as well as his violent remembers of childhood due to the abuses of his father, at the same time that he starts to believe that somebody or something inhabits the old mine, a weird presence that wanders by the night watching him in the shadows waiting for attack...

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男主演技灾难级别，明明审美长在我点上结果演的有点好笑，跟女主一对比更是个笑话，入不了他们俩的戏。悬疑部分气氛不够，煽情部分又差点什么，只觉得看完平滑的从大脑皮层划过。母女线挺不错，主要是母亲演技好比较能代入。拉拉线不是很深刻，不过能看到拉拉在中国电影，已经是一种进步了。父亲线请删除，渲染的非常不到位显得很多余，最没泪点的部分。沙土车师傅的戏很不错，对底层人民淳朴的形象刻画的很好。看到一半我才发现我看过原著漫画只是忘了剧情，只能说导演和演员给原著磕一个。镜头倒

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看近几年的文艺作品就知道大众现在在焦虑什么，现在渐渐看到很多网络小说将公司福利待遇好、把员工当人看作为爽点，而这部电影或许正是这样切中打工人的爽点、痛点、泪点、笑点的：大厂的各种黑话诸如拉通对齐赋能抓手、大厂裁员、外包转正、大厂职级。在影院观影的过程几乎全程都能听到笑声，这部电影逻辑顺畅、故事接地气、笑点也密集，很容易就跟随主角的情绪沉浸其中。从淳朴的高级钳工、到总公司的愣头青、再堕落到没有良心的高管、到回归工厂的一份子，主角几个阶段的转变意料之中、情理之中，各种阴差

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该剧的导演曹盾将故事发生的背景设置在年代的中国，给观众一种回到过去的感觉。这种怀旧的风格，让人不禁对故事中的老金一家产生共鸣，同时也突出了角色之间的情感纠葛。

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爽，剧情虽然简单，但动作戏绝对是亮点，拳拳到肉，流畅细致，郭达台词都没几句，一路打到海滨别墅，简单粗暴，但是看得过瘾，虽然女主条线可有可无，整体只是单纯特工爽片，资本政治的勾结不是影视剧里的阴谋论，是在现实中正在上演的闹剧，剧中的电信诈骗跟现实中的萝莉岛丑闻如出一辙，剧情设计“总统本人不知情”只能说是资本的最后一片遮羞布，社会出了问题有系统解决，那么当系统出了问题，谁来解决?如果现实中真的有养蜂人就好了